All feedback in regards to this site is both welcomed and encouraged. Remember that collaboration and reflection are the keys to success at this and any stage of learning. If you have any questions or comments about this site and/or its content please feel free to contact me via email @ michael.obeirne01@syd.catholic.edu.au

26 November 2014

Video & Online Resources

The following links are provided with an acknowledgement to their source ...

PI'S EPIC JOURNEY: CREATING THE UNFORGETTABLE 

HOW LIFE OF PI BECAME A VISUAL MASTERPIECE 

MAKING OF LIFE OF PI – MOVIE 

LIFE OF PI TOOK ANG LEE ON A JOURNEY OF HIS OWN… 

IN CONVERSATION WITH ANG LEE AND THE CAST OF LIFE OF PI 

ANG LEE, INTERVIEW: HOW HE FILMED THE UNFILMABLE FOR LIFE OF PI 

MAKING OF LIFE OF PI NTDV 

HOW DID THEY BRING THE ‘UNFILMABLE’ LIFE OF PI TO OUR SCREENS 

LIFE OF PI ENDING EXPLAINED 

MAKING OF LIFE OF PI – VISUAL EFFECT BY RHTHM &BLUES 

LIFE OF PI TIGER NEARLY DROWNED ON SET, REPORT ALLEGES | Film | theguardian.com 

6 November 2014

Life Of Pi - Context & Purpose Questions

Use the handout given in class to answer the following questions.
  1. What reputation has Lee gained in filmmaking?
  2. For what is Lee highly regarded in the film industry?
  3. What was the difficulty for Lee in capturing the different reality presented by Pi's journey?
  4. What significance did using 3D have on the experience for Lee?
  1. What understanding do you get of Indira Gandhi's leadership from what you read?
  2. What happened in 1975?
  3. What did this all have to do with Pi and his father's decision to leave India?
Where possible try to use textual references to support your response.

4 September 2014

Module B Notes

Here are the images from yesterday's lesson.



Feel free to use this in working towards composing your own paragraphs. 

1 September 2014

Module A - Related Material

Option One - Terminus by Trevor Cawood

LINK

Option Two - William Street by Kenneth Slessor

LINK

Option Three - ???

REMEMBER

This module requires students to explore the uses of language. It aims to develop students' awareness of language and helps with the understanding of how perceptions of and relationships with others and the world are shaped in written, spoken and visual language. 

In responding and composing, students explore the ways the images we see and/or visualise in texts are created through language. Students consider how the forms and features and language of different texts create these images, affect interpretation and shape meaning. 

Oops!

My bad ...

Here are the images of the work from last Friday's lesson ...



Sorry it took so long!

26 August 2014

We're Back

Here are the links for today's lesson ...

2013 HSC Paper

2013 HSC Paper Marking Criteria

2013 Marking Centre Notes

It might be a good idea to favourite these!


Remember to complete your allocated questions for HW. Share and look over your partner's responses as well. 

9 April 2014

Classwork Today 09/04/14

Here is a snapshot of the board from today's lesson ...


And here is a link to the document of Dramatic Techniques ...

LINK

1 April 2014

Context: Seven Stages

Empathy Task

http://www.poemhunter.com/poem/bora-ring/

http://www.poetrylibrary.edu.au/poets/noonuccal-oodgeroo/we-are-going-0771055

Context Task

Read through the preface/s of the play and answer the following questions in your book in full sentences. Use the page no's given to assist your response.

1. Why is the statement 'the arrival of the first boat people' ironic to a modern audience? (p. 10)
2. Why are the terms 'first fleet' and 'settlers' written using inverted comma's? (p. 11)
3. Why is there a 'completeness' in Indigenous storytelling? (p. 13/14)
4. Why is there a 'paralleling' evident between the 5 Stages/7 Phases? (p. 15)
5. Why do you think that the 'theatre' exists? (p. 16)
6. What was one of the challenges of writing the play? (p. 18)
7. Why did the playwright have to confront racism in writing this play? (p. 19)
8. What is catharsis? Is the play a cathartic experience? For whom? (p. 20)
9. Why is time important in this context? (p. 34)
10. Why was the play rewritten a second time? (p. 34)

10 March 2014

Related Material

Click on the LINK to access Sticks and Stones and Such Like which is a great short story that is an equally great idea for a related material.

Think about the use of language in the following quotes ...

I've been called a lot of different things ...
I just wanted to fit in ...
And you? Who are you? What are you?

Find your own additional examples. What do they each teach us about the AOS?

SCREENSHOT: CLASSWORK (11 + 03 = 14)